gazlington

Number 1

Recently jumped on the 24 bit bandwagon. Recording everything in 24 bit/44.1 khz . Exporting all my project files (including older stuff  recorded in 16 bit) as 24 bit files. Greater volume, detail and clarity.

Number 2

After reading the 25 pro tips  for workflow and productivity (by Liam O’Mullane) from MusicTech mag Set 2011, I’m going to start on tip 7.

I currently have too many ideas partly finished in project files. Get them into wave or mp3 files to reference and listen to them from one folder. Who knows where they might end up? Brilliant. Systems and workflow tips are worth considering.

Posted in music production

An extraordinary track developed between Emeli and her co conspirator Naughty Boy aka Shahid Khan (and apparently others). The initial dramatic orchestral flourish might have some connection to Naughty Boy’s experience with Bollywood. From here Emeli’s voice kicks in (and what a voice this is), with the addition of some nice synth chords and strings. Of note is the detailed and intelligent sequencing and programming, including kick drum variation of pitch and volume, and apt placement of extra percussion such as triangle and tambourine. An astounding track that is organised and stuctured, but different and musical. The inclusion of a gospel component in the chorus was a materstroke as well as the soft ambient section with the distant reverberated vocals. A bit of a nod to Masssive Attack’s Unfinished Symphony. Can’t wait to hear the duo’s efforts with Emeli’s new album in 2012. All class.

Posted in music production